Buscar
Detalles
|
 |
 |
Tipo de material:
Libros
Colección:
Colección General
Número de clasificación:
700.103/H629h/ Año: 
Ver ficha completa
|
A history of visual culture: western civilization from the 18th to the 21st century.
Año:
New York: Berg. 2010. 403 p. *
|
HOLA MUNDO
Artículos |
 |
|
Kromm, Jane |
General introduction |
|
p, 1-12 |
|
Weston, Helen |
The politics of visibility in revolutionary France: projecting on the streets |
|
p. 18-29 |
|
Taws, Richard |
Ninetheenth-Century revolutions and strategies of visual persuasion |
|
p. 30-41 |
|
Guffey, Elizabeth |
Socialist movements and the development of the political poster |
|
p. 42-53 |
|
Stojanovic, Jelena |
Avant-garde art and the culture of protest: the use-value of iconoclasm |
|
p. 54-65 |
|
Kromm, Jane |
To collect is to quantify and describe: visual practices in the development of modern science |
|
p. 73-88 |
|
Brauer, Fae |
The transparent body: biocultures of evolution, eugenics, and scientific racism |
|
p. 89-103 |
|
McPherson, Heather |
Biology and crime: degeneracy and the visual trace |
|
p. 104-116 |
|
Anderson, Nancy |
Visual models and scientific breakthroughs: the virus and the geodesic dome: pattern, production, abstraction, and the ready-made model |
|
p. 117-130 |
|
Balducci, Temma |
Gaze, body, and sexuality: modern rituals of looking and being looked at |
|
p. 136-146 |
|
Kromm, Jane |
The Flâneur/Flâneuse phenomenon |
|
p. 147-156 |
|
Shapira, Elana |
Gaze and spectacle in the calibration of class and gender: visual culture in Vienna |
|
p. 157-168 |
|
Brauer, Fae |
The stigmara of abjection: degenerate limbs, hysterical skin, and the tattooed body |
|
p. 169-183 |
|
Kromm, Jane |
To the arcade: the world of the shop and the store |
|
p. 190-199 |
|
Ogata, Amy F. |
"To see is to know": visual knowledge at the international expositions |
|
p. 200-210 |
|
Bakewell, Susan Benforado |
Changing museum spaces: from the Prado to the Guggenheim Bilbao |
|
p. 211-223 |
|
Golec, Michael J. |
Desing for display culture: domestic engineering to design research |
|
p. 224-235 |
|
Potter, Matthew |
Orientalism and its visual regimes: Lovis Corinth and imperialism in the art of the Kaiserreich |
|
p. 243-254 |
|
Wood, Marcus |
Marketing the slave trade: slavery, photography, and emancipation: time and freedom in "The life of the picture" |
|
p. 255-266 |
|
Masteller, Kimberly |
Cultures of confiscation: the collection, appropriation, and destruction of South Asian art |
|
p. 267-280 |
|
Shabout, Nada |
Trading cultures: the Boundary Issues of globalización |
|
p. 281-291 |
|
Kromm, Jane |
Introduction |
|
p. 292-295 |
|
Sperling, Joy |
Multiples and reproductions: prints and photographs in nineteenth-century England. Visual communities, cultures, and class |
|
p. 296-308 |
|
Kromm, Jane |
Inventing the Mise-en Scène: German expressionism and the silent film set |
|
p. 309-318 |
|
Warren, Sarah |
The reality of the abstract image: rethinking spirituality in abstraction |
|
p. 319-331 |
|
Kromm, Jane |
Introduction |
|
p. 332-336 |
|
DeMartini-Squires, Brenda |
Now you see it: desinformation and disorientation on the internet |
|
p. 337-345 |
|
Shields, M. Kathryn |
Carnival Mirrors: the hermetic world of the music video |
|
p. 346-355 |
|
Ferranto, Matt |
Digital Self-fashioning in cyberspace: the new digital self-portrait |
|
p. 356-366 |
|
Danahay, Martin A. |
Feats of simulation and the world of video games: art, cinema, and interactivity |
|
p. 367-375 |
|
Kaczmarek, Chris |
What you se is what you get, or reality is what you take from it |
|
p. 376-384 |
| |
Ubicación |
Año |
Vol. |
Ej. |
Estado |
Devolución |
| |
FLACSO |
|
|
|
en estantes |
|
|
FLACSO Ecuador |
OPAC
Biblio-Tec v 1.3 © 2011 Pentaedro
Basado en OpenBiblio v.0.5.7
La rutina se ejecutó en: 0.2 segundos.
|